Includes bibliographical references (p. 260-274) and index.
|Statement||Anthony John Harding.|
|LC Classifications||PR468.A72 H37 1995|
|The Physical Object|
|Pagination||xiv, 289 p. ;|
|Number of Pages||289|
|LC Control Number||95010287|
Harding analyzes the uses of myth in selected texts of the period, covering the work of Wordsworth, Coleridge, Keats, and Shelley, among others. Including a valuable bibliography of primary and secondary sources, The Reception of Myth in English Romanticism fills a major void in Romantic : Capa dura. Harding analyzes the uses of myth in selected texts of the period, covering the work of Wordsworth, Coleridge, Keats, and Shelley, among others. Including a valuable bibliography of primary and secondary sources, The Reception of Myth in English Romanticism fills Author: Anthony John Harding. Week 5 Discussion-Romanticism in Frankenstein Miranda Rodriguez Romanticism was an intellectual movement that took hold in Europe during the late 18th icism was born out of a direct opposition to Enlightenment views that emphasized reason, science and knowledge. The Enlightenment had evolved as a response to oppression by the church. The Reception Of Myth In English Romanticism Anthony John Harding. Columbia: University of Missouri Press, ISBN vii-xiv. ). Reviewed by Mary Anne Perkins (The Coleridge Bulletin New Series No 11, Spring pp )This book is written with the combination of subtlety, eclat and penetration which those familiar with Anthony Harding’s work have come to expect.
Romantic reception of myth is filled with tensions between familiarity and distance and between what a myth will and will not tell us. These generalizations about the Romantic movement's attitude to classical mythology are faced with the same difficulties as defining Romanticism in the first place--something always seems to exceed or escape the. BOOK REVIEWS Anthony John Harding. The Reception of Myth in English Romanticism. Columbia: University of Missouri Press, Pp. xiv+ $ In his influential Work on Myth (), Hans Blumenberg asserts that "the myth that is varied and transformed by its receptions, in the forms in which. Anthony John Harding, The Reception of Myth in English Romanticism. University of Missouri Press, ISBN: (hardback). Price: £ 38 ($).. An article from journal Romanticism on the Net (Number 3, August ), on : Allen W. Grove. Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know - or think we know - about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct.
“The ordinary modes of human thinking are magical, religious, social, and personal. We want our wishes to come true; we want the universe to care about us; we want the approval of those around us; we want to get even with that s.o.b. who insulted us at the last tribal council. Romanticism (also known as the Romantic era) was an artistic, literary, musical and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from to Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the. History and Archetype: Issues in Myth-Criticism Douglas Bush's Mythology In English Romantic Poetry is the only attempt at a comprehensive survey of the topic, however, as Harding quipps, it is more "taxonomic than critical" (The Reception of Myth 13). The Cost of Myth: Cyril Connolly and “Romanticism” Jean-Christophe Murat Université de Provence, Aix-Marseille In a introduction to Cyril Connolly’s (only) novel The Rock Pool, his contemporary and life-long friend Peter Quennell () writes: Cyril was a great romantic, and a romantic he remained until the end.